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Friends of Silver Falls Native Plant Illustration Project- Getting started!

This is the second blog in a series I’m writing about a large native plant illustration commission I received from the Friends of Silver Falls State Park (FOSF). To read the first blog click here.
Scouler's Corydalis, Corydalis scouleri, flower with drawing detail

Detail of Scouler’s corydalis, Corydalis scouleri, from my older sketchbook.


Tús maith, leath na hoibre, A good start is half the work!

Irish Proverb

When I first received this commission I was very excited: so many wonderful species and so much potential for good work, but my head began to spin when I thought about the scale of the job ahead of me (thirty native plant species). I realized immediately that the project would involve many comprehensive studies of the different growing stages of each plant. I knew too that if I wanted to do a good job I needed a good plan. But by the time the project finally started it was June and Oregon was beginning to experience its worst drought on record. I could feel the panic rising as I watched many of the native species on the list wither before my eyes. To calm my nerves I focused on the art materials I’d need, starting with the right sketchbook. I had already begun to make my own for other projects and knew I would do the same for this one but I wasn’t sure what page dimensions to use.

Finding the right sketchbook!

Scouler's corydalis, Corydalis scouleri sketchbook pageStudy of Scouler’s corydalis, Corydalis scouleri, from my older homemade sketchbook.

Feeling the panic nipping at my heels I began drawing Scouler’s corydalis, Corydalis scouleri, (in bloom in my own garden at the time). I used a homemade sketchbook I already had – made from Fabriano Artistico Extra White Watercolor Paper. I realized very quickly, however, that the pages were too small. I love the brightness and versatility of this paper, which I use for graphite as well as watercolor studies, but I needed bigger pages.

Making my own sketchbooks for the project.

Luckily my local art store had a sale in Fabriano Artistico Extra White (140 lb, 300 gsm) at the time. I bought 22×30 inch (559 x 762 mm) sheets and divided each one into four x 11×15 inch (279 x 381 mm) pages. I then had them spiral bound into sketchbooks of 12 pages at my local printer. I thought, rather than having one large sketchbook, dividing the pages up like this would make it easier to manage- and safer. Damage or loss of my sketchbook would be a real setback- especially if all my plant studies were in one. By splitting up the pages this way the sketchbook is lighter too and more manageable. I can study about 10 plants per sketchbook and when full move onto the next.

First Sketchbook with tools and paper

My first FOSF sketchbook of 12, spiral bound pages. The cover (printed on my Epson printer) shows a pen and ink illustration of Western tiger lily, Lilium columbium, created previously. It is one of the native plants on my project list (shown below).
FOSF Native Plant Illustration List with no crop marks

Friends of Silver Falls Native Plant list included it in the sketchbook.

 

The finished botanical illustrations.

The finished botanical illustrations will be reproduced on 11×16 inch (279 x 406 mm) sheets (similar to an herbarium specimen sheet) so my sketchbook page dimensions, at 11×15 inches  (279 x 381 mm), help me visualize how much plant information can fit onto that size sheet. I’ve already begun using my first sketchbook and it’s working well so far. The only change I will make to the second and third will be to insert lighter tracing paper sheets between the watercolor pages so that I can protect them better. I’ve made a tús maith (good start) I think. I will let you know how the “other half” of the project goes in due course.

Aislinn Adams
Blog #2 Friends of Silver Falls State Park Native Plant Illustration Project.

 

 

Native Plant Appreciation Week, Month,Year?

Western ground ginger, Asarum caudatum
© Aislinn Adams, 2011
Western wild ginger, Asarum caudatum

Gardening with Native Plants.

I love gardening with wild flowers- or native plants as they are more accurately named. Long before I decided to return to college to study horticulture, I was interested in gardening with wild flowers. This has meant that no matter where I live I grow the native species of that area. Since moving to Oregon, nearly 13 years ago, I have happily discovered that many of the native plants from this part of the Pacific Northwest have long been residents of Ireland and the U.K. Thanks to such plant collectors as David Douglas and Archibald Menzies, and a corresponding rainfall, many of the native plants from the Pacific Northwest thrive in the moist, temperate conditions of the British Isles and Ireland.

Native Plant Time!

If you are interested in native plants and live in the Pacific Northwest this is a very exciting and busy time of year. Between April and May there are many local events organized to help you get up close and personal with the native flora. Here in the Willamette Valley of Oregon we have plenty to choose from – wildflower festivals, native plant guided walks and native plant identification classes. If you want to learn more about the native plants in your area- from the showy and colorful to the weird and wonderful- now’s the time. To help you find the right activity here are some links, below, for events in this region but if you search for your own state native plant society or a different native plant organization where you live I’m sure you will find similar information.

Native Plant Appreciation Week.

For me every week of the year (nearly) is native plant appreciation week but spring is one of my favorite times to really admire the beauty and variety of these plants – both in the wild and in my own garden. Many states celebrate Native Plant Appreciation Week (NPAW) around mid-April to early May. Here in the Pacific Northwest the Oregon, Washington and Idaho Native Plant Societies will be celebrating NPAW from April 28- May 4th. Click these links below to find out about the different events they are organizing.


Native Plant Society of Oregon’s list of wildflower festivals

http://www.npsoregon.org/wildflowers.html

Washington Native Plant Society’s Native Plant Appreciation Week Events.

http://www.wnps.org/chapter_info/chapter_programs.html

Idaho Native Plant Society of Idaho NPAW

https://www.facebook.com/events/407168246047518/

Native Plant Identification Classes.

If you live in the Salem, Oregon area you can attend a Native Plant Identification class that I, and fellow Native Plant Society of Oregon member John Savage, will be teaching at the Straub Environmental Learning Center. For dates, time and other details go to this link- http://fselc.org/event-calendar/

Aislinn Adams

The Oregon Fawn Lily, Erythronium oregonum and its many names.

Oregon Fawn lily- Erythronium oregonum
© 2011 Aislinn Adams
Oregon Fawn Lily, Erythronium oregonum.


The Fawn lily, Erythronium oregonum, and its many common names.

Erythronium oregonum has many common names- giant white fawn lily, Oregon fawn lily, dog’s tooth violet, trout lily, adder’s tongue, lamb’s tongue. Maybe this is why the Historic Deepwood Estate here in Salem, Oregon- where I live- has chosen the scientific name for their annual spring native plant festival. Not wishing to confuse people with a common name that is not “common” to all, they use the scientific name Erythronium (pronounced, err- ih-throne- ee-um.) Personally I find it much more useful to use the scientific name for the same reason. Never underestimate the creativity of humans to come up with interesting and numerous common names for one plant, and though they are lovely, ultimately they are rather confusing, especially when trying to communicate which plant you mean to someone.

My first fawn lily, Erythronium oregonum.

Erythronium oregonum was one of the first bulbs I planted in my own garden when I moved to Oregon many years ago. It has since seeded itself throughout my front yard, totally ignoring all my efforts to corral this charming spring bloomer into an attractive sweep of creamy yellow. It was one of these flowers that I used for my botanical illustration above, and inspired me to create my Pacific Northwest Native Plant Greeting Card Series.

The fawn lily and early plant explorers.

When I first saw this beautiful fawn lily here in the Willamette Valley I assumed it must have been collected by Lewis and Clark or David Douglas in the early 19th century. This is not the case. The first fawn lily to be described from this part of the world, pink fawn lily, Erythronium revolutum, was collected by Archibald Menzies in 1793 and described by James Edward Smith in 1809. Then in 1806 the fawn lily’s mountain “cousin” the glacier lily, Erythronium grandiflorum, was brought back by Lewis and Clark (Lewis called it a dog’s tooth violet in his journal) and described by Frederick Pursh in his Flora Americae Septentrionalis in 1814. (for more on the collection see my blog  The saga of the Lewis and Clark Plant Collection and the Irish nurseryman Bernard McMahon’s unwitting role in its fate!.) The glacier lily, Erythronium grandiflorum, also has other common names including yellow fawn lily and yellow avalanche lily.

The common fawn lily, Erythronium oregonoum, erroneously mis-identified.

It wasn’t until 1935 that the more common fawn lily, Erythronium oregonum, was finally described by the Oregon botanist, Elmer Applegate. As is often the case with plant exploration and identification, the story is not that straightforward. According to Applegate “for nearly a century this familiar plant has been known erroneously as Erythronium giganteum Lindl. or as Erythronium grandiflorum var. albiflorum.” ( Kalmiopsis Vol. 10 2003. Native Plant Society of Oregon.) So maybe my assumption wasn’t so far off the mark. Is it possible that some of the Erythronium grandiflorum bulbs collected by Douglas (April, 1826 and 1827) may have been Erythronium oregonum after all?

Elmer Applegate and David Douglas.

There is a tenuous link of a different kind between Applegate and Douglas. Applegate’s wife Esther Emily Ogden was a niece of Peter Skene Ogden (the well-known fur trader and chief trader with the Hudson’s Bay Company.) Douglas met Ogden August 30, 1826 at Fort Vancouver, Washington, directly after Douglas’ exciting 12-day descent of the Columbia River from Fort Colville in eastern Washington. During that descent he had a lucky escape when his canoe was wrecked at the Dalles; causing him to loose the insects he had collected in the interior and some seeds, but he managed to save bulbs of the glacier lily, Erythronium grandiflorum, collected in the Fort Colville area. In April the following year, while on his journey overland to Hudson Bay to meet his ship bound for England, he collected more of the glacier lily in the same area and transplanted them in the hope of keeping them growing all the way to England. Maybe it was these particular transplants that were the first fawn lilies that he is credited with introducing into England. Now I wonder if they were all glacier lilies: if some of the Oregon fawn lilies had not been introduced into the mix also?

When I drive by the Deepwood Estate along Mission Road here in Salem and see the expanse of pale yellow that is the fawn lily, it’s hard to imagine that Douglas didn’t see them while traveling though the Willamette Valley. At any rate, it is a wonderful sight to see and, no doubt, it will be enjoyed by the many visitors to the festival next weekend- Friday and Saturday April 5 and 6. For more information about the festival click here- http://historicdeepwoodestate.org/historic/estate/calendar_events/2013/04/05/  I am delighted to say that my cards will be on sale at the festival also.

Aislinn Adams

 

Botanical Illustration and the Joys of Weeding!

Bermuda grass, Cynodon dactylon

Gardening with native plants and the joys of weeding!

I have drawn my fair share of weeds over the past decade for the Washington Post’s “Digging In” gardening column. Some of the weeds I’ve drawn are true to their name without much to recommend them while others can be quite beautiful while still very “weedy”.  I have created botanical illustrations of Bermuda grass (Cynodon dactylon) twice for the “Digging In” gardening column and although I hate to speak ill of any plant, even a weed, I have to admit I’m not a great fan of this grass. It is a real nuisance plant for gardeners across the United States of America, including here in Oregon where I live. Fortunately for me I garden with native plants, mostly in the shade, so I don’t have much trouble with Bermuda grass as it prefers a sunnier spot.

A damned good weeder!

I met a gardener once who was a great native plant enthusiast. I was an intern at Mt Cuba Center in Delaware at the time, very new to the United States and just learning my way. We were both on a native plant trip to the Smokey Mountains. I innocently asked her what she did for a living and, with a twinkle in her eye she quietly replied, “I’m a damned good weeder”. Later I understood what she meant as I learned that she was independently wealthy and not in need of a “living” at all. Gardening with native plants was her passion, her avocation, and as any gardener knows, if you love gardening you do a lot of weeding.

I love weeding.

I like to think of myself as a “damned good weeder” though not independently wealthy. I love weeding. Not the back-breaking Himalayan blackberry pulling variety, though that can have it’s moments, but rather the careful, knowledge-building kind where you learn to distinguish the seedling of a troublesome weed from a welcome native plant. If you garden with native plants you really need to be able to tell the seedlings apart: to separate the team players from the troublemakers so to speak.

Weeding monotonous? Never!

Some people find weeding very boring. I know some weeding can be horribly monotonous, especially the kind where all you do is pull up everything green except your rows of ornamental annuals or showy perennials. This is not the kind of weeding I mean. I’m referring to the kind where you are constantly observing and frequently delighted by some new native seedling found half hidden under the foliage of the mother plant.

I love this kind of weeding also because it allows me the time to enjoy the dank, rotting leaf smell of the soil and the more subtle perfume of less showy native wildflowers, not to mention the “green” scent of lightly crushed leaves, one of my favorite smells.

If you really want to know a plant.

In my last blog I wrote that if you want to remember a plant draw it. Well, if you really want to  know a plant grow it. I have found no better way to get to know the American native plants of my new homeland than by getting down on my knees, up close and personal, weeding.

Aislinn Adams.

If You Want to Remember a Plant.

Star magnolia, Magnolia stellata

If you really want to remember a plant, draw it!

I always say that if you really want to remember a plant, draw it. There’s nothing more effective to really make you look deeply at a plant than spending hours drawing it. I don’t know of anything better to imprint it on your brain.

Drawing makes you take the time to look.

When Georgia O’Keeffe was asked why she painted flowers she replied, “Nobody sees a flower really; it is so small. We haven’t time, and to see takes time – like to have a friend takes time.” I don’t know how much time people spend looking at flowers these days but I do know that if you draw a flower you really have to take the time to look at it.

Drawing has improved my memory.

I spent 10 years drawing botanical illustrations for the weekly “Digging In” gardening column of the Washington Post. As a result of that work I now have a collection of 500+ botanical illustrations. When someone asks me if I have illustrated some plant, like the star magnolia (Magnolia stellata) above for example, I can always remember if I have or not. I may not remember in which month or year I did it, though I usually have a fairly good idea, but I can definitely remember.  This is due to the hours and hours I spend looking at a plant while illustrating it. Each pen and ink drawing I produced for the “Digging In” gardening column took anywhere from 10 to 20 hours to create, depending on its complexity.  That is a long time to spend looking at a plant.

You don’t have to be an artist to draw.

I don’t believe that you have to be a great artist or illustrator to enjoy drawing plants or to benefit from the hours you spend with them in this way. If you are a plant enthusiast who loves to garden or an amateur botanist who loves to study native plants and you want to remember what you see here’s my advice; the next time you are out in your yard or walking in the woods, bring along a sketchpad and pencil, find a plant that interests you, and start drawing. Don’t judge your results harshly but rather check later how well you can remember the plant you drew.

Aislinn Adams