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Nature Trail 2014, A Natural Sketchbook Exchange- the beginning!

Nature Trailer 2014 - a natural sketchbook exchange

One of the most exciting, fun and challenging projects I am involved in this year is a sketchbook exchange called Nature Trail 2014- A Natural Sketchbook Exchange. There are 15 botanical artists in the exchange, hailing from many different places- the United Kingdom, USA, Ireland, Italy and the Netherlands. As the exchange’s blog explains-

“Each artists’ book will have a double page spread completed and then be posted on every month to the next artist. Subjects to sketch and paint will encompass anything to do with the natural world; for example, feathers, shells, berries, habitat landscapes and absolutely anything botanical. Also colour notes, poems, any writing that you would include within normal sketchbooks can go in, in whatever design.”

We all bought a Stillman & Birn Zeta series sketchbook for the project (5.5 x 8.5 inch/14 21.6 cm.)  The smaller size is very practical for mailing and the quality of paper and sturdiness of the hardcover make it a great choice.

How I got involved!

All this came about because of my participation in a couple of botanical artists groups on Facebook- Botanical Artists and Irish Botanical Artists. If you would like to learn more about my experience with these groups you can read about it in my last blog. Last fall I was invited by one of the members to join the exchange- her idea. All the decisions on how it would work, what sketchbook we would use, and what we would create in them, has been a very collaborative process- drawing much on the advice of several of the more experienced members of the group. Here is my January entry- which has arrived safely on the other side of the Atlantic already and into the capable hands of another Nature Trailer.

January- my first entry in the sketchbook exchange.

January was almost over before my journal was ready to go on its maiden voyage. Somehow I became a little too involved in the extra details – title page, envelopes, labels etc., This is my first time to participate in a sketchbook exchange or to keep a regular nature sketchbook so I was very excited and, in spite of the anxiety, having loads of fun.

 

Title Page

The first thing I did on receiving my sketchbook was to create a title page. I hadn’t played around with hand-lettering in years so designing the page was a walk down memory lane with some new influences cropping up- reminding me that I am always changing. I used graphite pencil to create the form and texture, adding polychromos pencils last for subtle color. I started using Faber Castell polychromos pencils recently and I really like the feel of them. I’m also enjoying the Stillman & Birn sketchbook paper, both for pencil and watercolor. I don’t have that much experience with watercolor papers but I certainly do like the paper’s smoothness for graphite and color pencils.

I love textures!

The textures in the lettering were inspired by nature- leaves, lichens, tree bark, wood grain, succulents and seeds. My January page- devoted to lichens- is also a study in textures. When I picked up this lichen-covered bigleaf maple branch in our front yard I knew instantly what I wanted to do in my journal for January. I haven’t managed to identify all the lichens on this branch but I’ve made a good start, with the help of several people including some fellow Nature Trailers. Here are some of the main ones:-

Oakmoss, Evernia prunastri, Pincushion sunburst lichen, Xanthoria polycarpa, Waxpaper lichen, Parmelia sulcata, Fork-boned lichen, Hypogymnia inactiva, and Brown shield lichen, Melanelixia spp.  

January lichens.

“More things are learnt in the woods than from books; trees and rocks will teach you things not to be heard elsewhere.”     Bernard of Clairvaux

All the lichens, save the one on the very right (pincushion sunburst lichen,) are painted in watercolor. I used polychromos pencils for the pincushion sunburst lichen and the “JAN” lettering. 

“The Rules”

Because I find them so helpful (and inspiring) I decided to include a copy of St. Corita Kent’s “Rules” at the back of the journal. Numbers 6 and 7 are my favorites. One of her “helpful hints” is “Save everything- it might come in handy later.” Taking her advice to heart, I’ve copied her rules onto a piece of rice paper I’ve had for over 30 years!!

In an effort to keep the journal flat I have put the rules in an envelope that is attached to the inside back cover with a ribbon “hinge”. This is to allow it to be laid flat, out of the journal, while being used. Making the envelope and figuring out how to attach it to the journal was an adventure in itself and I could never have done it without the help of local craft shop owner and new friend Christy Wood. Learning to make the envelope was so interesting and creatively stimulating that I will write about it in a separate blog.

But in the meantime I am just delighted to have finished my first month of the Nature Trail 2014- Natural Sketchbook Exchange and I’m getting ready to start on February’s sketchbook , wonderful!

Aislinn Adams

 

 

We all need a community of practitioners to grow and flourish in our own creativity.

Pacific dogwood leaf, Cornus nuttallii cropped and cleaned Day 11, 300 dpi

What I have learned about sustaining creativity and Botanical Art Facebook groups.

Over the course of this year I will be blogging regularly about my participation in an exciting new project called “Nature Trail 2014 – a natural sketchbook exchange.”
 However, before I start blogging about this sketchbook odyssey I would like to explain how I ended up being part of it in the first place. To do this I must go back 16 months in time- and tell a story about travel, new friendships, the benefits of being connected to an art community- virtual and “real”- and change.

A catalyst in my process of change.

Last year was an amazing one for me because it was the year I made positive changes in how I work. This process of change started several years ago but didn’t crystalize into tangible results until my trip back to Ireland in November 2012. While there I met members of the new Irish Society of Botanical Artists (ISBA.) Because of this meeting and what ensued, my attitude to my artwork in general and botanical art in particular has changed dramatically.

You never know when a chance meeting can have a profound impact on your work- and life. That is exactly what happened when I met this group of botanical artists at the National Botanic Gardens, Glasnevin, Dublin. As a result of that meeting I have become a member of a worldwide community of botanical artists and because of this my work has taken off in a new and more purposeful direction.

Oregon white oak leaf, Quercus garryana

Geography is not a problem for botanical art communities.

Although originally from Ireland I live in the Pacific northwest, many thousands of miles from those botanic artists I met in Dublin. Nontheless, thanks to the specialist Facebook groups- Irish Botanical Artists and Botanical Artists– I am in daily communication with many of them and have made lots of new “friends”. Because of this communication, and the support I receive from these “friends”, my work habits, output, and attitude to my own art have changed radically- for the better.

 A virtual community of practitioners leads to ”real” community and lots of creativity.

I have learned that it is very difficult, if not impossible, to work alone. I need the support and feedback of fellow-practitioners to sustain my creativity. My first choice is always to meet fellow artists in person but, in my case up until recently, I didn’t know any. Contrary to the many criticisms I’ve heard about Facebook; that it causes people to withdraw from person to person communication as people spend more and more time “talking” on their computers, my experience has been the opposite. Ironically, through these botanical artists Facebook groups I now know more local botanic artists and have started a monthly nature-sketching group nearby.  The old adage “it’s a small world” is the same whether online or not.

Sweetgum seed capsule, Liquidambar styraciflua

Inspiration comes from a community of practitioners.

We all need inspiration to start something and to keep it going- especially when the going gets tough. Many of the members of these Facebook groups are world-class botanic artists. Their work is incredibly beautiful and very inspiring, but what is equally inspiring is their willingness to share it and discuss techniques and materials freely. If I have a bad day drawing when nothing seems to go right I post a comment on the Botanic Artists’ page and always get encouraging and funny responses.

Abundant generosity flows from a community of practitioners.

I have also discovered that people are very generous with their support and knowledge. No matter how successful and busy members are they always seem to be able to find the time to share some helpful information and give good advice. There is no professional jealousy- instead abundant, thoughtful, generosity.

Great ideas and new projects too!

It is said that we are more intelligent (and creative) when we work together in groups. That is certainly the case with these Facebook groups. By seeing the creative ideas shared online by this botanical art community, my own understanding, knowledge and creativity grows. The Nature Trail 2014 project is a perfect example of this “intelligence.” As I was saying at the beginning of this blog I will be writing regularly about this project in the coming months.  I hope you will come back to see its progress and maybe be inspired to start your own nature sketchbook or join a botanical art group on-line or in your area.

Aislinn Adams